passion for personal storytelling, Mealz is a name to remember. A resident at Thirteen Feet Tattoo’s Circular Quay studio, Mealz has built a reputation for creating tattoos that are deeply meaningful and visually striking—from minimalist fineline designs to bold script lettering and stunning realism pieces.
Mealz’s approach to tattooing is defined by attention to detail, a steady hand, and a genuine connection to each client’s vision. Whether you’re after a delicate rose, a powerful black-and-grey portrait, or meaningful words inked in timeless script, Mealz delivers results that are clean, elegant, and long-lasting.
Fineline Tattoos
Ideal for minimalist or delicate designs, fineline tattoos require extreme precision. Mealz’s fineline work is known for its refined aesthetic, clean execution, and ability to retain detail even in the smallest of designs. She’s a top choice for those seeking fineline tattoos in Circular Quay or Sydney CBD.
Script & Lettering
Mealz is a standout script tattoo artist in Sydney, offering custom lettering that reflects the emotion behind every word. From handwritten fonts to cursive calligraphy, she tailors each piece to the message and meaning it represents.
Realism Tattoos
For lifelike portraits, hyper-detailed imagery, or symbolic realism, Mealz’s ability to capture shadow, light, and expression sets her apart. Her black and grey realism tattoos are especially popular with clients looking for photorealistic work that feels deeply personal.
Based at Thirteen Feet Tattoo – Circular Quay, Sydney
Located in Thirteen Feet Tattoo’s Circular Quay studio, Mealz is part of one of the most respected tattoo collectives in the city. Whether you’re visiting Circular Quay, The Rocks, or working in the Sydney CBD, Mealz offers an inviting space where creativity and professionalism go hand in hand. Mealz is now accepting bookings through our contact page.
Follow her on Instagram @happymealz.z to see her latest work, get behind-the-scenes glimpses from the studio, and stay updated on special projects.
